The 31st Moscow International Film Festival has been here and finished now. Big event with a lot of publicity and support, pretending to be serious and prestigious. Maybe, maybe not. As part of the audience I might mention that of course there was a typical for this event grandiose hassle with tickets. Nothing online, nothing in advance, one ticket-office available.
"All tickets are sold" (on the screens) -
Anyway, what`s seen:
1. “Je te mangerais”. Literally “I will eat you”, but international film name is “You will be mine”. Participated in the
Perspectives competition, for young film creators. By French film director Sophie Laloy, who was presenting the movie herself in Moscow. Modern movie, done in a modern real manner. About a girl who moved to Lyon to study piano in the conservatory while sharing apartment with a girl, a friend of long time ago. How and why people may start to dominate, being jealous or unhealthily in love, changing other`s lives, and whether it is possible to resist that without being changed. Suspense holds you till the end and as a spectator you are still responsible for constructing the final end of the story, which is fine for me. Logical, pure, with secret energy. Was shown with double subtitles, English and Russian. Curious detail: when going on stage the musicians, as actors perhaps, say naughty “m-de” word in French (in Russian it is the same, saying something “bad” for a good luck). The English equivalent, at least in this case, was “Break your leg”.
2. “Cliente” by Josiane Balasko, who also was in Moscow. The international name is “A French gigolo” doesn`t leave much space for imagination disclosing the scenario idea immediately, but perhaps such a name is better for film promotion. Okay anyway (that`s about the movie). And honestly, we were pretty excited by the opportunity to see Josiane Balasko in Moscow. The film participated in
"Gala-premiere" festival program, though in France it has been already not only shown in cinemas, but released on DVD.
3. “Melodiya dlya sharmanki” (Melody for street organ). That was in the
Main competition. Ukranian film by Kira Muratova who films in a very specific manner, challenging to ordinary brains but interesting because of that. I mean the dialogues are crazy, with numerous repetitions and bizarre in general, and everybody speaks in a freakish way, but that is part of fun. By the way the leading actress, a 12-yers old girl, got the main female prize. This film was in our list because of Renata Litvinova whom we wanted to see – and she was presenting the film on the stage, and who had like five minutes of screen presence in the end of that two-hours-and-a-half movie. We also wanted to test ourselves with such a timing, because knew that watching that at home would be impossible, so opted for the festival entourage.
4.“Paris! Paris!”, international film title, the original one – “Faubourg, 36”. About Paris before the Second World War, about a tiny cabaret on Paris outskirts, about three unemployed friends dreaming about their own musical show, about French elections of 1936, when socialists were competing with nationalists, about love, about music, about families. Very good, optimistic and cheerful, even if the story itself is dramatic. The same film director as in “Les Choristes”, Christophe Barratier, who came to Moscow to present the film. The main joke of his speech was that he came to Moscow for the first time in his life and only for one day, which he will spend just watching his own movie. The film was shown within the
"Around the World" festival program.
To tell you the truth, the last one I saw for free, as a person from mass media something, hmm. That is quite funny, because it`s only in May I met people enthusiastically working on their project about French cinema. The idea is to make it the main Russian speaking source of information about French cinema, which perhaps is truth already – it has its own focus. The link to their website is on the right of this page. It is a web portal, but already officially registered, with stamps, documents and all official trimmings. Me personally have got a document that I am an author there, which combined with the name (Cinema-France) suits me perfectly and also gave me free admission to one movie. Free writing in exchange of small benefits (and big ideas), that`s what we call career leap, hehe. I was placed right on the steps, as many others, because the film, as the whole festival, was well attended by public and not only all seats but even all steps were occupied. That actually corresponded well with the movie main ideas –
friendliness, solidarity and enjoying all you have available however little it is.
PS: If interested, the cheapest ticket price was 300 rubles, which is around 10 USD.